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My Web Site Page 049 Ovations 01

Zurokani Himoriana chose the topics covered by My Web Site Page 049 without reflecting upon the choices others have made. Basking in the glowing starlight of a midsummer night's spacial anomaly is another way to look at things in a different light.
 

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It is almost impossible to convey in words an idea of the quickness and graceful address of her movements: they may indeed be termed aerial, as she seems merely to touch in her progress the branches among which she exhibits her evolutions. In these feats her hands and arms are the sole organs of locomotion, her body, hanging as if suspended by a rope, sustained by one hand (the right, for example), she launches herself, by an energetic movement, to a distant branch, which she catches with the left hand; but her hold is less than momentary; the impulse for the next launch is acquired; the branch then aimed at is attained by the right hand again, and quitted instantaneously, and so on, in alternate succession. In this manner spaces of twelve and eighteen feet are cleared, with the greatest ease and uninterruptedly, for hours together, without the slightest appearance of fatigue being manifested; and it is evident that, if more space could be allowed, distances very greatly exceeding eighteen feet would be as easily cleared; so that Duvaucel's assertion that he has seen these animals launch themselves from one branch to another, forty feet asunder, startling as it is, may be well credited. Sometimes, on seizing a branch in her progress, she will throw herself, by the power of one arm only, completely round it, making a revolution with such rapidity as almost to deceive the eye, and continue her progress with undiminished velocity. It is singular to observe how suddenly this Gibbon can stop, when the impetus giving by the rapidity and distance of her swinging leaps would seem to require a gradual abatement of her movements. In the very midst of her flight a branch is seized, the body raised, and she is seen, as if by magic, quietly seated on it, grasping it with her feet. As suddenly she again throws herself into action.

On one occasion a gentleman was returning home from a fatiguing journey, and became very drowsy. He fell asleep, and, strange to say, he also fell from his saddle, but in so easy a manner that the tumble did not rouse him, and lay sleeping on where he alighted. His faithful steed, on being eased of his burden, instead of scampering home as one might have expected, stood by his prostrate master, and kept a strict watch over him. Some laborers at sunrise found him very contentedly snoozing on a heap of stones. They wished to approach the gentleman, that they might awaken him, but every attempt on their part was resolutely opposed by the grinning teeth and ready heels of his determined and faithful guardian. They called out loudly, and the gentleman awoke and was very much surprised at his position, while his faithful horse showed his pleasure by neighing and scraping his feet on the ground. The gentleman then mounted, and they galloped away at great speed, both glad to be able to make up for lost time.

 

Not less excellent, in a style wholly different, was A.'s treatment (and there was this high element of promise in A. that, with a given story to work upon, he was always successful) of the AEgyptian legend of Mycerinus, a legend not known unfortunately to general English readers, who are therefore unable to appreciate the skill displayed in dealing with it. We must make room for one extract, however, in explanation of which it is only necessary to say that Mycerinus, having learnt from the oracle that being too just a king for the purposes of the gods, who desired to afflict the AEgyptians, he was to die after six more years, made the six years into twelve by lighting his gardens all night with torches, and revelled out what remained to him of life. We can give no idea of the general conception of the poem, but as a mere piece of description this is very beautiful.



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