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My Web Site Page 019 Ovations 01

Zurokani Himoriana chose the topics covered by My Web Site Page 019 without reflecting upon the choices others have made. Basking in the glowing starlight of a midsummer night's spacial anomaly is another way to look at things in a different light.
 

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First and foremost for every student of Norman and early Angevin history is the work of Bishop STUBBS. With a more direct, personal interest in the growth of institutions, still in his Constitutional History and in his prefaces to the volumes he edited for the Master of the Rolls he discussed the narrative history of the whole age and very fully the reigns of Henry II and his two sons. The characteristic of Bishop Stubbs's work, which makes it of especial value to the student of the present generation, is the remarkable clearness with which he saw the essential meaning of his material and its bearing on the problem under discussion. While he generally neglected a wide range of material of great value to the historian of institutions--the charters and legal documents--and did not always formulate clearly in his mind the exact problem to be solved, yet the keenness with which he detected in imperfect material the real solution is often marvellous. Again and again the later student finds but little more to do than to prove more fully and from a wider range of material the intuitive conclusions of his master.

On the infrequent occasions when the dry-paintings are employed, the medicine-man in charge of the ceremony directs his assistants, at daylight, to begin the painting. When it is finished he takes his station close to the easternmost figure of the painting, on its northern side. At the right of the medicine-man sit twelve chosen singers with a drum. The four masked _gaun_, or gods, at the same time take their places at the cardinal points. The patient then enters from the east and sits down on the head of the large figure in the centre of the dry-painting. As he does so the medicine-man commences to sing, and is joined by the chorus at once. They may sing the song four times, or sing four different songs, or any multiple of four, at the pleasure of the medicine-man. When the songs are finished the four masked personages scrape the colored earths into a heap about the patient and rub them in handfuls over his body. If this ceremony proves to be ineffectual, it is believed to be the will of the gods that the patient be not cured.

 

If so, it is time we were made to understand this more clearly. If the Church, whether of Rome or England, would lean to some such view as this--tainted though it be with mysticism--if we could see either great branch of the Church make a frank, authoritative attempt to bring its teaching into greater harmony with the educated understanding and conscience of the time, instead of trying to fetter that understanding with bonds that gall it daily more and more profoundly; then I, for one, in view of the difficulty and graciousness of the task, and in view of the great importance of historical continuity, would gladly sink much of my own private opinion as to the value of the Christian ideal, and would gratefully help either Church or both, according to the best of my very feeble ability. On these terms, indeed, I could swallow not a few camels myself cheerfully enough.



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